The best time to be a student and the worst time too.
A couple of cousins just had their board exam results in Gujarat. And one of them, a school topper has taken a tumble. Not that she has failed, but a mediocre result in a decisive school year can leave you in a lurch. She is a smart girl and her bright future definitely does not depend on just one result. But there is no way to console her right now.
This is making me a bit nostalgic. I swayed between too serious and too careless in my early school years, but I always had my eyes on the future. I’m living a version of that future right now. My plans have changed along with changing reality but I wonder how much of it all depended on how I performed in school. Almost everyone my age that I communicate with no longer thinks of mark sheets.
We all have stories of our school days. While reminiscing on social network, all one does is tag pals in old school pictures. But no one remembers each other’s mark sheets. And still there was a time when that mark sheet decided the course of our lives.
Education system is changing too fast in India and it takes an effort to stay up to date. The pressure and competition is increasing but is the too distracted generation keeping up with the transition? People do boast about how advanced their kids are about using gadgets, but do they have another level? If yes, what and where is it? It definitely doesn’t seem to be just in the mark sheets.
Eventually it is all mangled somewhere between understanding, curiosity, researching and cramming. I wish I could be a school student now with all the resources and development. But I also feel a bit thankful that I am out of it all before it all got so complicated.
Once again this is a second rambling post in two days. I’m neither questioning the education system nor am I lamenting it all getting complicated. All I have on my mind is: This feels like the best time to be a student and the worst time too.
Doing something vs. Being someone
‘The Iron Lady’, a mediocre biopic with superlative acting, at least left one strong impression in my mind. Thatcher tells a fan who wants to be like her something to this effect: In our times, it was about doing something, now it is all about being someone. We generally associate such sentiments with people who are growing old or are already old. But has the way young people envision their future or cultivate ambition really changed?
Since I saw the movie two months back, whenever I read news, words kept popping out from articles in reference to the thought of ‘being someone’ and ‘doing something’.
The thing is, ‘being someone’ is highly emphasized in pop culture today. The next Rowling, the next Tendulkar, the next Instagram. Everyone and everything promising is labelled ‘the next fill in the blank’ for the world.
This whole jargon of media has perhaps now followed us as it rests in our pockets with our mobile devices. It has taken over the language in which people dream, shape up their ambitions. I somehow feel it could take the individuality out of the next generation that heavily relies on pasting quotes without giving credits. But there is no need to be that cynical just as yet.
After all ‘doing something’ and ‘being someone’ may not be the same thing but these concepts aren’t too contradictory either. The subtle difference between doing something and being someone may not be lost on everyone as both these things are simply stepping stones in achieving worldly success. The problem lies in the dreams of being someone without actually going through the toil of doing something.
Writing this and thinking aloud is giving me a sense of ‘doing something’ but virtual ramblings may not be that substantial if they aren’t backed by real work.
Time is impatient….A Haiku poem.
Brushing up this website, I realized I haven’t written a poem in a long time. It doesn’t mean I’ve to rush into anything. But one side of my mind wanted me not to write, and the other was desperate. It resulted in this small little Haiku.
Here you go:
Time is impatient.
It has to figure me out,
Before I take shape.
pratiksha thanki
May 4, 2012
An old lady with lilacs
Don’t get me started on how much Germans love their Beer fests. We spent first two years just circling the festival area, eating chocolate fruits and took an occasional roller coaster. The ride really began when we found some like minded friends and we entered ‘the tent’. Imagine a few thousand people standing and dancing on the benches, with a mass in one hand and the other hand swaying to some live music with the rest of their bodies. The music they play is a mix of German folk and English rock. Everyone is unbelievably well behaved considering most of them are nearly out of their senses.
Last night while coming back from the Spring festival (April version of the Oktoberfest), we took a train back home at about 11 PM. As Stuttgart is not Munich, it sleeps early on most nights. But looked like everyone was out last night to let their hair down and their spirits up. I got to sit next to a cheerful old woman with fresh lilacs with green leaves in her hands. She smiled at us, offered to move just in case our group wanted to sit together and merrily watched us jabber away in 65% English, 15 % Hindi and 20 % German. When she got off the train at Weinsteige, she wished us good night and even after going out waved at us from outside. After nearly 10 hours of memorable time spent at the fest, all I can think of is that old lady with lilacs in her hands. Was she going home? Was she visiting someone? She definitely seemed Deutsch. I have stopped thinking about how am I perceived as an odd woman out in this strange country, but I still wonder what she thought of us. Who were the lilacs for? Probably a beautiful, ancestral vase. Or for a family member, a friend may be a date.
For some reason, I’m still thinking about her. But what was she thinking about? She has definitely seen many festivals in her lifetime and been in our shoes a few decades ago. Did we make her nostalgic? We all have back stories in our lives. The old lady with lilacs definitely has one. Probably I am never going to find her back story, but somehow she has almost become a part of my back story.
Agent Vinod
There are times when you watch the movie first and read the reviews later. I did that for Agent Vinod and realized that all the major reviewers have taken the movie too seriously.
I had no expectations from the movie, but it had some really good sparks. There is a very strict, conventional story arc in any spy movie. Eventually all Jack Bauers of the world save a specific city, country or sometimes mankind from something really fatal. Sriram Raghavan has Ek Hasina Thi and Johnny Gaddar in his past that does him credit. But when Saif Ali Khan is producing the movie, Raghavan may not have had all the creative liberty, no matter what they talk about in publicity interviews.
Everyone and their uncles have gone overboard by comparing Agent Vinod with Bond and Bourne movies. But this RAW spy doesn’t claim to be original at all. His character works well and with a li’l more thrilling story it would be good fun to watch him in a sequel.
Along with Raghavan’s retro homages to crime novels, old Hindi thrillers and of course those spy movies, there are flashes of Guy Ritchie influence here and some Tarantino there. It is a collage that works for someone who appreciates the genre and doesn’t have the expectations set too high.
I expected some mushy romantic scenes when I heard the Rabata song for the first time given the relationship of the producer and the heroine of Agent Vinod, but that one single long shot song sequence is very refreshing.
We watched the movie sitting with the crowd that included a big bunch of Indians along with people from Bangladesh, Pakistan, Turkey, other Middle Eastern countries and some German fans of Bollywood. Wonder what was going on in their minds.
ein Stück Johannisbeerekuchen bitte…
Very few people need a reason to eat a piece of cake. I am not one of them. However, today I had one. Reason or not, I’ve easy access to delicious cakes and pies these days in Degerloch.
Often in the afternoons when I’m done with my work, I glance out of my window and there it is, lite up in sunlight these days, decorated with daisies for the Spring. It is a bakery. For some reason I thought of referring the bakery as ‘she’. Indeed she has been more of a friend since a year and a half now. I go down to her and ask for a ‘kuchen’. Generally it is ‘Johannisbeerekuchen’ I ask for, but I never realized it is seasonal thing. I also ask for Kirschkuchen, Apftelkuchen or a simple jam doughnut – a Berliner they call it here.
It is a quintessential German family run place and the youngest woman behind the counter seems to be in her 20s. Once she was surprised that I ordered a piece of pie with liquor in it. I obviously have South Asian skin colour. She almost warned me about the sherry, associating a stereo-type with me. It had been six months since I had been going there. These women behind the counter are a judgmental crowd. They raise eyebrows when I buy a Brioche. I could avoid the place. But as long as the pie tasted good, it didn’t matter.
There are bouts when I eat ‘healthy’ food. I hadn’t been there in a while. Today, I was mourning some bad news. The news wasn’t so bad, but bad enough to eat a piece to feel good. Who knew I was about to get some smile on the side of my pie today! When I walked in there, the girl cheered up. She told me they had Johannisbeerekuchen. I deserved my piece of pie, a pick-me-up. But she remembered I loved Johannisbeere. She knew that part of me. I was no longer a stranger to her. So what if she didn’t know my name. She didn’t know what was bugging me. But she had still made me forget all my worries. I am no longer a stranger here.
Hugo
I didn’t want to expect much from Hugo. I was biased. After an overdose of fantasy literature and movies, the trailers and a comment from one Daniel Radcliffe about the Oscar snub of Harry Potter movies threw me even farther from watching Hugo.
And yet, there were a few reasons to watch the movies. Those reasons were: Martin Scorsese. Martin Scorsese. Martin Scorsese.
The man has created such a 3D visual treat that is unprecedented, even James Cameron has to bow down to this. The camera moves from unexpected angles really making the setting and characters real instead of the shoddy embossed feeling that some recent 3D movies came up with. When almost every remotely fantasy related movie started to show up in not so good 3D, audience doesn’t get much excited about a 3D movie anymore.
Something about the way ‘Hugo’ is shot, makes it visually so powerful that even its slow pace doesn’t bother those who are sucked into its colourful canvas. The first half of the movie takes its time to help us soak in the visualization of Paris and the railway station, the boy who fixes things and his book-loving friend who wants to find a purpose, a sulky old toy shop owner, a goofy but scary station inspector and these characters are established as they should be in a children’s story.
Scorsese has moved to another level with Hugo. And on top of that, he even pays a homage to the beginning of the world of cinema through a character. Through a story that shows much respect to books, machines and cinema history, Scorsese celebrates human creativity with an extra dimension in ‘Hugo’.
Hugo isn’t the kind of movie that one should watch at home on a TV or a computer screen. If you do get a chance, watch it on the big screen with the 3D glasses on.
Extremely Loud and Incredibly Close
Sometimes even when the ingredients are all perfect, movies fail to taste as they should. For me ‘Extremely Loud and Incredibly Close’ ended up to be something like that. It has endearing Tom Hanks and Sandra Bullock. It has a highly emotional core where a son loses his father in the 9/11 attacks.
The kid named Oskar has a very complicated way of dealing with his grief that weaves the entire movie. He goes around entire New York trying to find the lock of the key that he thinks his father has left behind for him as a clue to some game. He has some wonderful and some very annoying scenes with a very predictable story. It has its moments but the movie somehow even with some very powerful emotional scenes feels contrived and artificial.
‘Extremely Loud and Incredibly Close’ is nominated for two Oscars. It is highly unlikely to win in the Best Film category with other eight very unique movies.
However, the best Supporting Actor nomination for Max von Sydow playing the grandpa is well deserved (though Christopher Plummer is almost supposed to be a sure thing for this category).
Film awards have definitely lost the zing they used to have. But somehow An Oscar nomination still makes me at least respect a movie for some reason simply for the old times’ sake. That same respect took us to the theater to watch ‘Extremely Loud and Incredibly Close’. Wish we had waited for the DVD.
The Artist
There are many ways to tell a story. But the thing is, with an overdose of movies from all direction, nothing looks original anymore. At a time like that, it is the format, style and the way the story often take over. I’m not talking about the junk entertainment that is churned out in Bollywood or Hollywood for that matter. But watching a movie like ‘The Artist’ makes you think, makes you laugh, makes you sad and makes you care for the characters.
There is a whole generation out there now which might have never seen a black n white movie. As a child of the 80s I remember those Charlie Chaplin movies on Doordharshan in India and a lot of Black n White movies of Ashok Kumar, Raj Kapoor, Dilip Kumar, Dev Anand and actors of that era have told me melodramatic and sometimes interesting stories in my childhood. However, I wonder the generation after me really got any taste of that.
The Artist – nominated for 10 Oscars this year – is a black n white, silent movie for 99.5 per cent of the run time. And for some reason it has opened to mixed reaction from the audience, where the youngsters walk out of the theaters claiming they don’t follow the silent movie or don’t like the black n white. Thankfully the number of people with such reaction is much lesser than the ones who actually found it to be heartwarming tribute to the vintage Hollywood.
The story is simple, George Valentin (Jean Dujardin) is the superstar of the Silent movies and the tide is changing as in the late 1920s the talking movies are coming. His producer shows George footage of a talking movie and tells him, “This is the future” and George tells him with mocking laughter, “If this is the future, you can keep it.” His ego and some miscalculated steps bring him down from the stardom too soon. When the transition to the talking movies doesn’t happen for Valentin, he tells himself and the world that he is an ‘artist’ and silent movies would stay on. He makes a failed attempt at producing and directing one out of his own pocket. However, he couldn’t be in denial anymore.
On the other hand, as a movie star, he had touched the life of a beautiful extra artist Peppy Miller (Berenice Bejo), who gets phenomenal success in the talkies as a lead actress and still holds Valentin in high regard. Valentin’s relationship with the cinema and Peppy drive the movie around. His side kick here isn’t a moderately good-looking man with a heart of gold who can save him at the right time, this job is given to the Dog, Uggie who can act! Uggie can give acting classes to many Hindi film actors.
There is nothing new about the story of a star falling down because of his ego but again, it is all about the way the story is told. Valentin talks with his face and Peppy plays her part right. But all this is happening on the screen without the dialogues. I was surprised but I didn’t miss anyone talking on the screen at all.
It is the scenes that stay with you, when Valentin burns his film reels and gets caught in the fire himself, when Uggie acts up on an accidental gun shot of Valentin or when Peppy thinks of Valentin while putting on her beauty mark that he gave to her.
This is a French production paying homage to Hollywood and you end up thinking of movies like Singing in the Rain. (Though that one was a musical talkie, the story seems to follow it very closely.)
There is no rhyme or reason why something catches the fancy of the whole world. But here, I can think of one. Perhaps, ‘The Artist’ strikes the right chords cause it speaks the universal language of silence.
Why Women are Bad Drivers… Really?
Are women really bad drivers? The subject of this essay seems to assume that all women are already bad drivers and one is supposed to simply explain the reasons. There have been statistics supporting and negating this thought but it will be unfair to judge women drivers without digging up a bit of their past. 

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